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	<title>Comments on: Rub-a-dub In the Tub</title>
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	<description>John Mackey, composer</description>
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		<title>By: Dylan Edwards</title>
		<link>http://ostimusic.com/blog/rub-a-dub-in-the-tub/comment-page-1/#comment-787</link>
		<dc:creator>Dylan Edwards</dc:creator>
		<pubDate>Sun, 20 Jul 2008 01:29:40 +0000</pubDate>
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		<description>I was certainly not expecting to see this photo.  Not only are the best in the same picture... they&#039;re also in a bathtub.</description>
		<content:encoded><![CDATA[<p>I was certainly not expecting to see this photo.  Not only are the best in the same picture&#8230; they&#8217;re also in a bathtub.</p>
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		<title>By: Anonymous</title>
		<link>http://ostimusic.com/blog/rub-a-dub-in-the-tub/comment-page-1/#comment-786</link>
		<dc:creator>Anonymous</dc:creator>
		<pubDate>Sun, 11 Feb 2007 18:47:06 +0000</pubDate>
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		<description>Re: Adams and melodies...so much of the time, his music is layered, so there is no way to concentrate the musical focus on one musical line. One exception to consider: the first and third movements of &quot;Gnarly Buttons,&quot; the clarinet concerto. The nature of the clarinet as a single-line instrument may have drawn Adams to focus more on melody. The first movement is austere in tone, but is all about the development of a single melodic line. It doesn&#039;t create the romantic swell of Tchaikovsky &quot;Romeo and Juliet&quot; but is intriguing and compelling for its development and inventiveness. The third movement, depicting his father&#039;s end of life struggle with Alzheimer&#039;s disease, is a sentimental, expressive melody. Like the first movement of &quot;Naive and Sentimental Music,&quot; the melody and chords seem to lose track of one another, but this is the beauty of it. These pieces depict a sense of wandering travel, with a mixture of hope and doubt. In these cases, the beauty still depends on the layering, but is effective, and whether or not the melody is beautiful unto itself, I don&#039;t know, but the melody/chord combination is.&lt;br/&gt;Anthony Taylor</description>
		<content:encoded><![CDATA[<p>Re: Adams and melodies&#8230;so much of the time, his music is layered, so there is no way to concentrate the musical focus on one musical line. One exception to consider: the first and third movements of &#8220;Gnarly Buttons,&#8221; the clarinet concerto. The nature of the clarinet as a single-line instrument may have drawn Adams to focus more on melody. The first movement is austere in tone, but is all about the development of a single melodic line. It doesn&#8217;t create the romantic swell of Tchaikovsky &#8220;Romeo and Juliet&#8221; but is intriguing and compelling for its development and inventiveness. The third movement, depicting his father&#8217;s end of life struggle with Alzheimer&#8217;s disease, is a sentimental, expressive melody. Like the first movement of &#8220;Naive and Sentimental Music,&#8221; the melody and chords seem to lose track of one another, but this is the beauty of it. These pieces depict a sense of wandering travel, with a mixture of hope and doubt. In these cases, the beauty still depends on the layering, but is effective, and whether or not the melody is beautiful unto itself, I don&#8217;t know, but the melody/chord combination is.<br />Anthony Taylor</p>
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		<title>By: Avguste Antonov</title>
		<link>http://ostimusic.com/blog/rub-a-dub-in-the-tub/comment-page-1/#comment-785</link>
		<dc:creator>Avguste Antonov</dc:creator>
		<pubDate>Sat, 18 Nov 2006 23:39:41 +0000</pubDate>
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		<description>Hey John&lt;br/&gt;This is Avguste, Carter&#039;s friend.&lt;br/&gt;I was involved in the recording of Redline Tango.You may remember me.LOL&lt;br/&gt;Anyway,I am happy for the great concert at KU and LSU.Great Pics,LOL.How was Old Chicago?The beer is still that good?LOL&lt;br/&gt;And I am sure you probably met my ex girlfriend at LSU(Janelle Ott).She is a bassoon player.&lt;br/&gt;My email address is lovechiefs@goowy.com&lt;br/&gt;Lets keep in touch&lt;br/&gt;Best wishes&lt;br/&gt;Avguste</description>
		<content:encoded><![CDATA[<p>Hey John<br />This is Avguste, Carter&#8217;s friend.<br />I was involved in the recording of Redline Tango.You may remember me.LOL<br />Anyway,I am happy for the great concert at KU and LSU.Great Pics,LOL.How was Old Chicago?The beer is still that good?LOL<br />And I am sure you probably met my ex girlfriend at LSU(Janelle Ott).She is a bassoon player.<br />My email address is <a href="mailto:lovechiefs@goowy.com">lovechiefs@goowy.com</a><br />Lets keep in touch<br />Best wishes<br />Avguste</p>
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		<title>By: nobleviola</title>
		<link>http://ostimusic.com/blog/rub-a-dub-in-the-tub/comment-page-1/#comment-784</link>
		<dc:creator>nobleviola</dc:creator>
		<pubDate>Mon, 06 Nov 2006 06:24:05 +0000</pubDate>
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		<description>I agree w/ FOSCO, no great tune writing, but what I find amazing is that I don&#039;t miss the tunes - there&#039;s so much interesting stuff going on.  I&#039;m dying to perform Näive and Sentimental as well as Harmonielehre - both monumental pieces deserving more performances (but very difficult).  BTW - my friend Karen Wagner was playing principal oboe at Cabrillo for the Harmonielehre.</description>
		<content:encoded><![CDATA[<p>I agree w/ FOSCO, no great tune writing, but what I find amazing is that I don&#8217;t miss the tunes &#8211; there&#8217;s so much interesting stuff going on.  I&#8217;m dying to perform Näive and Sentimental as well as Harmonielehre &#8211; both monumental pieces deserving more performances (but very difficult).  BTW &#8211; my friend Karen Wagner was playing principal oboe at Cabrillo for the Harmonielehre.</p>
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		<title>By: jim</title>
		<link>http://ostimusic.com/blog/rub-a-dub-in-the-tub/comment-page-1/#comment-783</link>
		<dc:creator>jim</dc:creator>
		<pubDate>Fri, 03 Nov 2006 18:33:44 +0000</pubDate>
		<guid isPermaLink="false">http://ostimusic.com/blog/?p=290#comment-783</guid>
		<description>Hoo... what composer changed the way I thought about music?  I&#039;m going to have to go with Stravinsky, and if I have to pick one piece, I&#039;d say Rite of Spring -- so many amazing colors, and it&#039;s just so visceral, so edgy and in-your-face... at the age when I discovered it, it contained enough contemporary power and violence (without collapsing into indecipherable noise) to really appeal to me.  I still discover all kinds of things in that score.  I also admire how he continued to evolve as a composer, and try new styles... I could go on and on and on...</description>
		<content:encoded><![CDATA[<p>Hoo&#8230; what composer changed the way I thought about music?  I&#8217;m going to have to go with Stravinsky, and if I have to pick one piece, I&#8217;d say Rite of Spring &#8212; so many amazing colors, and it&#8217;s just so visceral, so edgy and in-your-face&#8230; at the age when I discovered it, it contained enough contemporary power and violence (without collapsing into indecipherable noise) to really appeal to me.  I still discover all kinds of things in that score.  I also admire how he continued to evolve as a composer, and try new styles&#8230; I could go on and on and on&#8230;</p>
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