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"Electrifying: A terse, powerful explosion of transformative energy."
        - The New York Times

"His music has enormous range, from the slow and darkly emerging opening of Aurora Awakes to the manic zaniness of Asphalt Cocktail to the grand sweep and romanticism of Wine-Dark Sea. His Songs from the End of the World show a mature composer with an unfailing sense of the human voice and the beauty of subtly shifting colors."
        - The American Academy of Arts & Letters

"A high-energy style and a sharp theatrical sense, as well as a funny streak. Simply sensational."
        - Newsday

"Redline Tango is a true dazzler."
        - San Francisco Classical Voice